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  men death die death a

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  cold was was where exposure the sprawls

  winter taken screaming he on city’s away

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  winter back November dropped downtown

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  had winter was a fresh taken cold lonely cold

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  been night bloodied field blood out night night nights

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  was when across winter off,

  full his night

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  had, though He the He but had had since

  boy he says seventeen-year-old had he picked enough the

  spending had Stonechild had fresh him time had ‘starlight

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  lot drinking had one on face driven dump had

  of the cut shoe his to him Stonechild become

  time night hadon face, the outside on public had

  together he his across window the the knowledge

  disappeared face his city and edge

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  Yes.

  It’s liking things.

  BURY IT

  and then

  you’re not even

  sure if it’s // um that

  the place you bury it

  it

  can probably be

  safe

  for what? something //

  something is either a half or three

  quarters and

  you cannot guarantee that

  anything is gonna be

  safe

  at least I don’t think

  or maybe even // maybe

  you can but it doesn’t seem I

  really // I really don’t

  BRUSH

  best in this. close

  operating once again under her WHITE area

  glimpse through control The best place to take making

  head in the wing also struggling (it has been

  raining traffic through the South the South

  port of — unveil. spearheading the terror’s

  structure like the rural direct opposition

  hawks once again taking under her

  kneel to both, and Rain

  Central parts of raining for Corridor (

  which is the linking There is a parking lot on the

  right. The best place WHITE their new

  ’s structure, ‘exploring the —, the the

  rural every two (will be selling in the Picture:

  The present and lifeline Walk into

  the woods, follow the northwest coast

  there is a trail in the shape

  a date for release their cornered and most

  into the woods, follow prey and the next markets

  , one township a weekend of rain a return to

  the best place for development expected next year. Her

  WHITE area. a sneak a path near the pond.

  Go left, warms between your

  links with rural this part of the coast into

  operating under her

  adjoining grind reverted to set the

  release The best place by list the spokes of the front

  in such weak and to or. Prevailing sweepimoisture

  is rain. once again her WHITE place

  soon more ) WHITE ) of WHITE shifting from

  — the northwest front want. to set steel to turn kneel

  near any of the dark bench areas, the heaviest

  yes

  hawks to the cutting

  grounds allegedly best saying ‘has been, is an

  ideal hideout for the kneel of the rural comes

  prey falls along the Coast drenched in the early any

  of the dark during. told her More. In

  and yes The best place earlier, the city’s The main trail

  its rural Dam and other popular Lower turn

  over. Here. made the making The act

  BURY IT

  m-hm

  you’re not even

  sure

  the place you bury it

  I // I think

  well

  well

  we just heard that

  You see but the only problem is

  m-hm

  and you cannot //

  at least I don’t think

  maybe even // maybe

  but it doesn’t seem

  m-hm Well

  I suppose

  it’s a problem I

  really //

  I really don’t know

  Yes, because you

  do the same thing

  every time.

  I’VE GOT TO Tell You

  Cause I really You can’t tell

  Say Is it is it dry Cause I r
eally Tell me

  I’m not maroon I gotta Is it, is it

  I hope

  listen Cause I really need Tell me are you lonely

  really Tell me are you Won’t you And

  if I’m not Is it wet, Is it Cause

  If I If I You can’t tell real I hope

  that we’ll Oh Boy See shouldn’t let you but, proud

  you crowded Boy Won’t you If you tell you know

  or say no Cause I really Tell me

  are you empty I’m not just Say

  let You can’t tell I’m talking Are you difficult

  Boy you shouldn’t tell you but if I If I alone

  We talk But don’t know see numerous if

  yes I promise you If we and you know

  Can you Can you Can you further Can you

  THE SAFE M-HM

  Can I boy under you honey

  m-hm

  Can you tell everyone I should brush against this maroon

  starlight and save the robe Can I bury the songs and the

  morning the grey sunshine the fire and what I sometimes

  prey and what you right now

  m-hm

  how I honey

  m-hm

  honey sometimes I think you’re getting further from liking

  this from the buses from the cold

  hm

  from the plane the hawk the parking lot and the numerous

  stars honey am I safe sometimes now and way under anxious

  am I clearly honey the songs you honey honey

  m-hm m-hm

  Can I bury the grey sunshine honey the grassfire the prey

  the hawk under snow Can you know where the robe is

  where’s the tea in my mouth how honey

  m-hm

  Can you tell everyone Can I bury under safe Can you can

  you brush it clear over me sometimes honey

  m-hm m-hm

  Can you know how honey

  m-hm

  I’ve got to tell you sunshine got to tell everyone I think we

  should sing all the sentimental songs and tell the starlight

  bury way under morning and sunshine I’ve got to tell you

  to get everyone

  m-hm

  I’ve got to tell you to tell everyone I always think in my

  mouth I’ve got to get you and glow like the parking lot the

  snow the grey mornings the only passenger

  Can I see you brush the car in the sunshine got to tell you

  Can you robe the songs clearly tell me Can you bury me

  honey Can I boy under you honey tell me

  m-hm

  Can I think you’re safe to hawk the starlight and brush

  morning Can you beg the cold lunch the anxious prey

  honey Can I brush over you liking things I think in the

  place further from this tell me

  m-hm m-hm

  honey

  m-hm

  You do it over

  and over again.

  I’VE GOT TO TELL YOU

  Can you Can you Can you Can you Boy

  grey Boy I promiseyou If Iwe and you know

  We talk But see dry I don’t know if from

  you shouldn’t tell you but if I If maroon

  I let you You can’t I’m talking Are you noiseless

  Boy I’m not lonely just Is it, Is it Say yes

  or say no Cause I really Tell me are

  you wet Oh Boy Won’t you If you tell you know

  that we real Boy See shouldn’t let you but,

  If I If I You can’t tell proud I hope

  you crowded Boy I’m not Is it, Is it Cause

  I really tell me are you empty Won’t you And

  listen Cause I really Tell me are you

  If You can’t tell I’m talking difficult I

  hope Boy I ifgotta I’m not Is it, is it

  Say Is it numerous is it Cause I really Tell

  If me are you that somebody Cause I really You can’t tell

  I’m talking further

  MORNING

  Number one is mornings

  Number two is my coast

  Number three is my sunshine

  Number four is my feel

  Number five is my girl

  Number six is that somebody

  Number seven is naughty

  Number eight is my girl

  Number nine is my mouth

  Number ten is grey

  Number eleven is my feel

  Number twelve or tea

  Number thirteen is that somebody

  Number fourteen is noiseless

  Number fifteen is hot enough

  Number sixteen tell nobody

  Number seventeen is my cigarette

  Number eighteen or robe

  Number nineteen is my feel

  Number twenty is soft soap

  Number twenty-one is my chills

  Number twenty-two is my hawk

  Number twenty-three is my feel

  Number twenty-four is small talk

  Number twenty-five is my lonely

  Number twenty-six is my girl

  Number twenty-seven is my only

  Number twenty-eight is my girl

  Number twenty-nine is my feel

  Number thirty is my coast

  Number thirty-one is this real

  Number thirty-two or snow

  Number thirty-three is my one

  Number thirty-four is nobody

  Number thirty-five or dock

  Number thirty-six is naughty

  Number thirty-seven is my buses

  Number thirty-eight is proud

  Number thirty-nine is my girl

  Number forty is my clouds

  Number forty-one is my girl

  Number forty-two that’s good

  Number forty-three is my girl

  Number forty-four or flutes

  Number forty-five is my feel

  Number forty-six is my beach

  Number forty-seven is my girl

  Number forty-eight is bees

  Number forty-nine is nobody

  Number fifty is my coast

  Number fifty-one is my sand

  Number fifty-two at most

  Number fifty-three is that somebody

  Number fifty-four is my tears

  Number fifty-five is my girl

  Number fifty-six is my feels

  Number fifty-seven is my heart

  Number fifty-eight is my keys

  Number fifty-nine is my girl

  Number sixty or trees

  Number sixty-one is naughty

  Number sixty-two is my birds

  Number sixty-three is baby

  Number sixty-four or words

  Number sixty-five is my parking lot

  Number sixty-six is my feel

  Number sixty-seven is my hawk

  Number sixty-eight is real

  Number sixty-nine is my coast

  Number seventy or keys

  Number seventy-one is dry toast

  Number seventy-two is all these

  Number seventy-three is my feel

  Number seventy-four is my girl

  Number seventy-five is a meal

  Number seventy-six is my girl

  Number seventy-seven is relief

  Number seventy-eight is my stars

  Number seventy-nine is naughty

  Number eighty is my car

  Number eighty-one is that somebody

  Number eighty-two is my snow

  Number eighty-three is my girl

  Number eighty-four is the most

  Number eighty-five is daily

  Number eighty-six is my girl

  Number eighty-seven is baby

  Number eighty-eight or kneel

  Number eighty-nine is my girl

  Number ninety is my card

  Number ninety-one is that somebody

  Number ninety-two is warm

  Number ninety-thre
e is nobody

  Number ninety-four is nothing

  Number ninety-five is prosody

  Number ninety-six is music

  Number ninety-seven is my whole

  Number ninety-eight is my girl

  Number ninety-nine is that somebody

  Number one hundred is control

  Number one hundred and one is my hawks

  Number one hundred and two is my cross

  Number one hundred and three is my girl

  Number one hundred and four is my girl

  Number one hundred and five is north

  Number one hundred and six is my pass

  Number one hundred and seven is my girl

  Number one hundred and eight or path

  Number one hundred and nine tell nobody

  Number one hundred and ten flies

  Number one hundred and eleven is my girl

  Number one hundred and twelve is dry

  Number one hundred and thirteen is my place

  Number one hundred and fourteen is my girl

  Number one hundred and fifteen is my sunshine

  Number one hundred and sixteen is further